Fringe
He gave up a corporate salary to paint. Fourteen shows later, nobody's laughing
Fringe was born in the late 1970s and spent his early career in the corporate world, in the kind of job with a title, a ladder, and a ceiling. Then he left it, for oil paint and bronze.
That decision has been vindicated by his devoted following and his commercial success. Every solo exhibition Fringe has staged -- from Johannesburg to Vienna, Dubai, to the United States -- has cemented his reputation as a truly unique figure in the world of pop art.
His work spans oil on canvas, and figurative sculpture in bronze, ceramic, and stone. His artwork traverses the edge of deep personal introspection, and fuses commercial iconography with imagery that is unmistakably his. In his collections are found the evolving characters of Gutinke, Mylo, Nova and Quiet Boy. Each represents a different emotional language while sharing the artist's unmistakable visual identity. These transcend traditional sculpture, becoming contemporary symbols of hope, self-discovery, and the emotional narratives that connect us all.
Fringe respects the machinery of the art world, the institutions, the critics and the market, because he understands it. But respect isn't the same as reverence, by being anonymous he keeps a healthy distance from anyone telling him what matters.
What he is actually interested in is smaller and stranger: memory, unfinished business, the things that wake a person up at night. He still wakes up some nights screaming the name Shirley. He won't explain who Shirley is. Neither will we.
Every Fringe artwork comes with a Certificate of Authenticity, issued by Anonymous F. That is not a marketing flourish. It is your assurance that the work is genuine, documented, and permanently recorded as part of the artist's official catalogue. Long after trends have passed, provenance remains one of the greatest protectors of value.
Fourteen exhibitions later, Fringe has produced a body of work that stands as a marker of growth, with every showcase offering a distinct and immersive experience.
The exhibitions:
- 2017 — The Very Definition, Scapegoat Gallery (South Africa) & Schloss Monais (Germany)
- 2018 — Don't Blink, Scapegoat Gallery (South Africa) & Schloss Monais (Germany)
- 2019 — Porsche 911 Exhibition, Desom Wine Estate (Luxembourg)
- 2021 — No Seriously, Scapegoat Gallery (Johannesburg)
- 2022 — Calculus of Joy, Scapegoat Gallery (South Africa), Vik Gallery (Italy), MEC Gallery (Italy), Augustin (Vienna)
- 2022 — Open to Interpretation, White Room Gallery (US)
- 2023 — In the Best of All Possible Worlds, Frank Fluegel Galerie (Germany)
- 2024 — Stress Narcotika, Scapegoat Gallery (South Africa)
- 2024 – Stress Narcotika (Art Dubai)
- 2024 — On the Edge, White Room Gallery (USA)
Blog posts
The trouble with being seen, is being seen.
The trouble with being seen, is being seen. There is an indignity attached to being an artist in the modern age: people expect you to explain the thing you have just spent three months trying not t...
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Dating for mature people is the link
Dating for mature people is the link you get if you’re over a certain age and your algorithm decides that you are still in the game. I got online and then got slapped in the face by a few sites tha...
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Early spring has this ridiculously beautiful facade
Early spring has this ridiculously beautiful facade that reminds me of Damien Hirst’s slightly lame attempt to get to the essence of what blossoms really do to our collective psyche. His 2021 bloss...
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